A vocal region is a part of a range of sounds. High pitched, mid pitched, and low pitched are collectively referred to as vocal regions. A vocal region is a part of a range of sounds. According to the different pitches, it can be divided into three parts: high pitch, mid pitch, and low pitch. The small character group, small character group 1, and small character group 2 form the middle range; Three groups of small characters, four groups of small characters, and five groups of small characters form the high pitched area; The large character group, the large character group 1, and the large character group 2 form the bass zone.
High pitched:
High pitched refers to a singing method of true voice. Generally, the male range ranges from large character groups C1-C5, and the male true pitch does not exceed C5. Women, due to their short vocal cords, have a natural tendency to sing higher, with a range of C2-B5.
Mid range:
A baritone is a vocal part that falls between a bass and a tenor. There are generally two types: higher and lower. The former has a range of generally a-g2, which is equivalent to the range commonly referred to as a baritone, while the latter is f-e2 or f2, which is called a "low baritone.".
A mezzo soprano, also known as a second soprano, is a voice part in bel canto that falls between soprano and contralto, with a range of A3-A5. The vocal cords are usually slightly longer and wider than sopranos, with high notes being thick and powerful, and the mid range voice being particularly full and rounded. In bel canto singing, the most important focus is on the wide, thick, and bright tone texture, while mezzo soprano focuses more on the wide and thick tones.
Bass:
Bass refers to the lowest part of a musical voice or range. In vocal music, its range is roughly the second E to * C below * C.
The solemn bass emphasizes a lower and deeper range, while the lyrical bass has a higher voice. In Western tonal music, the importance of the bass part is usually second only to the melody and is the main factor determining harmonious movements.
1. 20Hz to 60Hz section
This section of improvement can give the music a strong feeling, giving people a loud feeling, such as thunder. It is a strong and powerful feeling in music. If the improvement is too high, it will be cloudy and unclear, causing poor clarity, especially for audio equipment with poor low-frequency response and heavy low-frequency.
2. 60Hz to 250Hz section
This section is the low-frequency structure of music, which includes the fundamental notes of the rhythmic part, including the fundamental and main notes of the rhythmic notes. The proportion between it and high school notes constitutes the balanced characteristic of timbre structure. Elevating this section can make the sound fuller, while excessive elevation can produce a rumbling sound. Attenuating these two segments will make the sound thin.
3. 250Hz -2KHz section
This section contains the low-frequency harmonics of most instruments, and if raised too much, it will make the sound resemble that of a phone. If 600Hz and 1kHz are excessively raised, the sound will resemble that of a speaker. If the 3kHz is raised too much, it will mask the recognition sound of speech, resulting in unclear speech and making it difficult to distinguish the lip sound "mbv". Excessive increase in 1kHz and 3kHz will give the sound a metallic feel. Due to the sensitivity of the human ear to this frequency band, it is usually not adjusted, and excessive enhancement of this frequency band can cause auditory fatigue.
4. 2KHz -4kHz section
This frequency range belongs to the mid frequency range. If it is raised too high, it will mask the recognition sound of speech, especially if the 3kHz is raised too high, it will cause auditory fatigue.
5. 4kHz to 5KHz section
This is a frequency band with a sense of presence, which affects the clarity of sounds such as language and instruments. Raising this frequency band makes people feel that the distance between the sound source and the listener is slightly closer; Attenuating 5kHz will make the distance perception of the sound farther; If a 6dB increase is proposed around 5kHz, it will increase the sound power of the entire mixed sound by 3dB.
6. 6kHz -16kHz section
This frequency band controls the brightness, macro brightness, and clarity of the sound. Generally speaking, raising these segments makes the sound loud but not clear, and it is unlikely to cause excessive dental sounds. When attenuated, the sound becomes clear but not loud.
